As we kick off the New Year and
struggle to keep our resolutions, it only seems fair that we give 2015 a proper
sendoff. And what better way to do it than highlighting the best films of the
year? But what makes a ‘Best’ list anyway? Are they the Oscar bait films that
make critics drool? The highest grossing movies of the year? The highest rated?
Composing said lists are very subjective and wholly in the eyes of the
beholder. One man’s poison is another man’s treasure. Genres, fandom,
filmmakers, and more influence the composer’s choices.
Sure, I can talk about how
Leonardo DiCaprio might finally get an Academy Award, or that Tarantino
released yet another cult classic, or rave endlessly about just how amazing Star Wars: The Force Awakens is. But
here I’m going to shake things up a bit by recognizing some
otherwise overlooked films in a “Best” list.
Best Original Concept:
Robert David Mitchell's "It Follows"
The passionate kiss in the rain, the good guys
defeat the baddies, the underdogs save the world at the last minute, blah, blah, blah, blah. We know the drill, because we’ve
seen it all….
Or have we?
When a truly original concept hits the silver
screen, it earns the respect of humble moviegoers. We revel at the thought, because it's only once in a blue moon that such a pleasure comes our way. For this treat to arrive in the form of the horror genre simply blows our minds, as the category is plagued by even more cliches than chick flicks.
When said concept is about a
sexually transmitted demon stalking its prey being played in all seriousness though…
You may have just lost us.
Admittedly, the pitch to this
John-Carpenter-esque film sounds like a Syfy channel movie that could rival the
ridiculousness of Sharknado, but in
the hands of Robert David Mitchell, It Follows surprised audiences worldwide in
the best way possible.
After having sex with her new boyfriend for the
first time, Jay (Maika Monroe) discovers that she’s the latest victim of a fatal
curse transmitted only through intercourse. Death will follow her wherever she
goes, taking the guise of either a loved one or a stranger, until it catches up
to her and murders her in brutal fashion. It may not seem like much of a threat given
that it only ever moves at a walking pace, but this demon is unrelenting. It can’t
be killed and will haunt you the rest of your life.
Like that drunken wedding video of you…
Only worse.
Accompanied
by Rich Vreeland’s ’80s inspired electro score, It Follows pays homage to classic horror films with a genuinely unnerving
premise that leaves its viewers in deep discussion concerning its overall
message. Any fan of the original Halloween
will eat this up like a kid at Wilky Wonka's Chocolate Factory.
Best Surprise:
Joel Edgerton's "The Gift"
Married couple Simon (Jason Bateman) and Robyn (Rebecca Hall) run into Gordo (Joel Edgerton), an acquaintance from Simon's past, after relocating back to Los Angeles. Their perfect lives soon enter a tailspin as mysterious gifts and uninvited encounters plague the pair at their home. Sensing an unspoken tension between her husband and his old classmate, Robyn delves into their past, only for her to begin questioning the very man she married.
Trailers can be a powerful thing. A
brilliant one can make even a bad movie look amazing, à la Zack Snyder’s Sucker Punch. In unfortunate cases, it
can have the reverse effect. Dramatic moments of silence, background ticking
effects, jump scares, screen static, sinister music, and the Insidious producer namedrop put
together, and Joel Edgerton’s full-length feature debut couldn’t look anymore
generic. Cue the eye rolls and head banging.
Among last year’s slew of
underwhelming thrillers like Return to
Sender, The Boy Next Door, and Knock,
Knock, this character-driven
chamber piece about past ghosts turned out to be a resounding breath of fresh
air. Despite its underwhelming and cheesy trailers, the film actually subverts
the clichés and conventions of the genre with masterfully crafted storytelling
and its superb cast. For any moviegoer wishing for an escape from the
by-the-books formulaic thriller, The Gift
is most certainly for you. Let the creepy stares ensue.
Best Underviewed Feature:
James Ponsoldt’s "The
End of the Tour"
The End of the Tour focuses on late author David Foster Wallace
(Jason Segel), recounted by journalist David Lipsky (Jesse Eisenberg) who
interviewed the novelist during a Midwest book tour twelve years prior to
Wallace’s suicide. This film doesn’t require any flash to tell its story,
focusing solely on the provoking conversations exchanged between the two lead
stars.
Reflecting on the brilliant perception of the late writer, The End of the Tour shows just how thought provoking a film can be purely on the
merit of its sophisticated, yet natural dialogue. Its execution allows viewers
inside the mind of a tortured writer without ever resorting to the pretentions
typically found in these biopics. The End
of the Tour is a heartbreaking, thought provoking, and insightful rollercoaster
ride of emotions. The fact that it only brought in a measly $3 million at the box office makes it criminal.
Best Soundtrack:
Okay, if you’d have told me a year ago that 50 Shades would be on any Top List, especially written by me, I would
have undoubtedly been like…
Yet, here we are.
The story centers on a rich, yuppie businessman
with peculiar extracurricular activities.
No, we’re not talking about Patrick Bateman here…but
this concept is as equally disturbing.
With Mr. Grey’s behavior drawing comparisons to
that of manipulative cult leaders, it’s really, really hard for us to think of
him as a plausible love interest. Anastasia even refers to him as a serial
killer at the sight of his hardware shopping list! Run away, girl! Just run
away!
Yet, Christian still manages to brainwash the
impressionable young woman and gets her to do his bidding.
Not weird at all…
Say what you want about the movie, but it’s not so
easy to knockdown the soundtrack however. With Beyoncé’s “Haunted” and the 2014
remix of “Crazy in Love” taking place on this playlist, it’s pretty hard to go
wrong from there. Then add Annie Lennox’s rendition of “I Put a Spell On You,”
The Rolling Stones’ “Beast of Burden,” Skylar Grey’s “I Know You,” and Ellie
Goulding’s critically acclaimed “Love Me Like You Do,” and you have record
gold. Just try not to picture Christian Grey stalking you, as he's quite notable for…
Any-who...
Best of luck to Leo come Oscar season.
And on that note....
No comments:
Post a Comment